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MOVIE REVIEW: The Greatest Hits

Images courtesy of Searchlight Pictures

THE GREATEST HITS– 4 STARS

Hopefully, any long-term couple out there has “their song,” the one that defines their relationship and evokes the most memories. Back in the day, it was probably the record with the most wear-and-tear of repeated use or the centerpiece opening or closing track of a mixtape or burned CD. Nowadays, that signature song is probably the one with that favored heart selection on a digital playlist or the one with the most repeat plays on your music platform of choice. No matter the technology or era, the song is, chances are, the one you might very well share on your first dance at your wedding. 

LESSON #1: THE SOUNDTRACK OF YOUR LIVES– That’s all beautiful stuff, but The Greatest Hits, a new release coming to Hulu, takes the memories connected to music a demanding step forward. Once again, everyone remembers their one big song, but how about the rest of the music shared between two people? For example, what song was playing when you chatted over coffee one random morning a few years ago? What song was playing on the radio when you were driving and having an argument? Do you remember those as well? 

If you do, golly, you have a steel trap for a memory. If you don’t, imagine the unfathomable research it would take to chart the soundtrack of your lives for even a single year, let alone several. That’s the extraordinarily unusual undertaking of Harriet, played by Bohemian Rhapsody’s Lucy Boynton, in The Greatest Hits. Yet, that’s not the entire challenge. Feeling a teensy-weensy bit similar to 2022’s Press Play, the complications of The Greatest Hits hinge on a soft science fiction saga involving time travel and flashbacks by way of musical catalysts. 

Two years prior to the film’s present day, Harriet’s boyfriend Max (the upcoming Superman himself David Corenswet) was killed in a car accident in which she sustained a severe head injury. Since that day, if Harriet hears any song that was playing around her and Max, she is jarringly transported back in time to that exact moment it was playing with her full memories of the future. Accounting for that capability, Harriet has been charting the years, days, hours, and minutes of their musical history trying to find the gateway song to the right point of time to prevent Max’s death. The trouble is when undiscovered audio triggers hit and time pulls her away, Harriet will blackout and put herself in danger. Countering that hazard, she has resorted to walking around with ever-present noise-blocking headphones loaded with safe songs, working in a quiet library, and avoiding public music altogether. 

LESSON #2: THE POWER OF SONGS AND MEMORY– For the songs Harriet already knows, these journeys can be nostalgically therapeutic. While holed up in her apartment with their adopted dog, Harriet will sit in Max’s old chair and use his Hi-Fi sound system to play cataloged records as a means to intentionally relive specific memories. In doing so, she experiences literal versions of the proverbial feeling of songs pulling someone back to moments in time. No matter, Harriet calls herself “haunted by music” and cannot let go of the quest to save Max.

LESSON #3: “LOSS MAY BE FOREVER, BUT GRIEF IS ONLY TEMPORARY”– Two years of sitting silently and not sharing in Dr. Evelyn Bartlett’s (Retta from TV’s Good Girls) grief support group (ignoring this very lesson) have done little to deter Harriet from her personal quest. The one friend she has confided her condition to is Morris (Austin Crute from Honk For Jesus. Save Your Soul), a long-time DJ collaborator and fellow audiophile from her previous music producing days. Morris has come to learn that helping Harriet enables her, and he often urges her to “live, baby, live” in the present. 

Lo and behold in The Greatest Hits, a new romantic interest for Harriet presents itself with David, played by Justin H. Min of Shortcomings, a newbie in the grief support group. He lost his parents in the past year to illness, and the two bond over their mutual love of Roxy Music when their Meet Cute after the group continues to a record store. As Harriet lets down her guard around the exceedingly kind David during their dates, she’s torn on which man to ultimately pursue: the living one in front of her or the deceased one she thinks she can still save.

LESSON #4: WHAT WOULD YOU DO?-- The strength of The Greatest Hits is two-fold. The first is the engrossing premise of time travel employed by writer-director Ned Benson (The Disappearance of Eleanor Rigby). Who wouldn’t entertain the possibility of correcting the past? Viewers will eagerly weigh the same physical and emotional choices as Harriet does against the experimental risks. The well-worn storytelling device of time travel has admittedly preposterous rules and effects, so to speak, in this movie, but the same can be said about any number of movies in this dramatic subgenre. The hook is still irresistible.

The second strength rests on a graceful level of shared affection across the unique love triangle in The Greatest Hits.  It is a villain-less movie and a better one for it. Justin H. Min uncorks a kindly and completely different performance than his all-encompassing toxic asshole part from Shortcomings, and the result is a revelation. The optimistic longing exuded by Lucy Boynton (a Brit pulling American wool over our eyes with impeccable cadence and presence) never reaches a “girl, get over it” frustration point of disconnect. That’s thanks in part to the dreamboat figure and swooning devotion David Corenswet presents in his scenes as Max. If anything, there’s not enough Corenswet to raise a little more mercury in the movie’s thermometer so that its measured affection can coalesce into stronger, undeniable passion.

Merging this kind of existential melodrama with the outlandish happenstance of time travel requires characters audiences will care about beyond pragmatics and a lush production that can sprinkle magic on the grains of salt required. With the three charismatic and emerging talents present, the human appeal is covered in The Greatest Hits. The rest of the artistic alchemy comes from the eclectic and sizable soundtrack. Piloted by a poignant score and several new songs written by Everything Everywhere All at Once composer Ryan Lott, The Greatest Hits is a vinyl lover’s dreamscape that may very well add a few core tracks to your own life’s soundtrack. Plenty can't and won't stomach this type of sentimental movie, leaving it for the dreamers and romantics out there more than ready to drop a needle and be swept away.

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The Sweet East ★★★

Released: 29 March 2024 Director: Sean Price Williams Starring: Jacob Elordi, Talia Ryder, Ayo Edebiri Sean Price Williams has built a successful career as a Cinematographer working on the Safdie Brothers’ Good Time among others. Williams now makes his debut with the surrealist road film The Sweet East. The ensemble cast is full of rising […]

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A Beginner's Guide To Gambling Apps In 2024

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Gambling apps are the perfect solution for those who want to indulge in the exciting activity of gambling in the most convenient, mobile, and entertaining way possible. Whether you prefer social gambling games, online sports betting, or live casino tables, apps have made gambling simpler than ever before. 

So, if you have any questions about online gambling, welcome to "Casino Gambling: A Beginner's Guide to Gambling Apps!" This guide is your ultimate gateway to understanding casino gambling apps. These apps bring the excitement of casino games like slots, poker, and roulette to your mobile device, making gaming accessible anytime, anywhere.

You'll learn about gambling apps' convenience, flexibility, power, and important considerations like app security and responsible gaming practices. By understanding these fundamentals, you can make informed choices and enhance your enjoyment while staying safe.

Casino gambling apps offer various experiences, whether you're looking for entertainment, a chance to test your skills or just a fun way to pass the time. So, let's discover the exciting casino apps! 

Understanding The Gambling Apps Of 2024

Gambling apps are powerful software applications that have revolutionized the way people gamble. These apps allow users to enjoy a wide range of casino games, including popular favorites like slots, poker, blackjack, roulette, and more, all from the convenience of their smartphones, tablets, or other mobile devices. 

What's more, these real money casino apps are developed by licensed online casinos or gambling companies, ensuring that users have access to fair and safe gambling experiences. Users can easily download these apps from popular apps like Google Play Store or Apple App Store and instantly start playing their favorite games.

How To Get Started With Gambling Apps In 2024?

If you are planning to use gambling apps, it is essential to take some important steps beforehand. These steps can help ensure that you use these apps safely and responsibly and avoid any potential risks or negative consequences. Some of the key steps include: 

1. Choose a Reputable App

Selecting a gambling app from a reputable and licensed provider is essential. Check reviews, ratings, and user feedback to ensure the app is reliable and trustworthy.

2. Create an Account

Once you've chosen an app, you must create an account. This usually involves providing personal information, such as your name, age, and email address. Some apps may require additional verification steps to comply with legal regulations.

3. Deposit Funds

you must deposit funds into your account to play for real money on gambling apps. Most apps offer payment methods like credit/debit cards, e-wallets, or bank transfers. Choose a process that's convenient and secure for you.

4. Explore Game Options

Gambling apps typically offer various games. Take some time to explore different games and their rules before placing bets. Many apps also provide free demo modes to practice without risking real money.

The Top 5 Most Popular Casino Games On Gambling Apps

Casino gambling has been a popular form of entertainment for centuries, with its roots in ancient civilizations. In recent years, the rise of technology has brought gambling rights to our fingertips through gambling apps. 

These apps offer a convenient and accessible way for beginners to get started with casino gambling. If you're new to gambling apps, read the given below section as it is designed to help you understand the basics and get started on your gambling.

1. Slots

Slot machines are among traditional casinos' most popular casino games and gambling apps. They are easy to play and come in various themes and formats, offering exciting gameplay and the chance to win big jackpots.

2. Poker 

Poker is a classic card game that requires skill, strategy, and luck. Many gambling apps, such as Texas Hold'em, Omaha, and Stud Poker, offer different variations. You can play against other players or AI opponents.

3. Blackjack

Blackjack is a simple yet thrilling card game in which players aim to beat the dealer's hand without exceeding 21. It's a favorite among casino players due to its low house edge and strategic gameplay.

4. Roulette

Roulette is a game of chance where players bet on the outcome of a spinning wheel. It's easy to learn and offers various betting options, making it appealing to beginners and experienced players.

5. Live Dealer Games 

Some gambling apps offer live dealer games where you can play casino classics like blackjack, roulette, and baccarat with real dealers streamed live to your device. This adds an interactive and immersive element to your gaming experience.

Essential Tips For Responsible Gambling In 2024

While casino gambling can be entertaining, it's crucial to approach it responsibly to avoid potential pitfalls. Here are some tips for practicing responsible gambling on gambling apps:

1. Set a Budget

Determine how much money you can afford to spend on gambling without affecting your financial obligations. Stick to your budget and avoid chasing losses.

2. Know the Odds

Understand the odds of the games you play and the potential outcomes. Avoid games with high house edges or unfavorable odds if you want to maximize your chances of winning.

3. Take Breaks

Gambling should be a form of entertainment, not a constant activity. Take regular breaks, set time limits, and avoid prolonged gambling sessions.

4. Avoid Alcohol and Drugs

Gambling under the influence of alcohol or drugs can impair your judgment and lead to reckless decision-making. Stay sober while gambling to make informed choices.

5. Seek Help if Needed

If you feel that gambling is becoming a problem or impacting your life negatively, seek help from support organizations or professionals specializing in gambling addiction.

Final Thoughts: A Beginner’s Guide to Gambling Apps In 2024

Gambling apps offer a convenient and accessible way for beginners to enjoy casino games from anywhere at any time. 

By understanding the basics of gambling apps, choosing reputable providers, exploring different games, and practicing responsible gambling, beginners can enhance their gaming experience while staying in control. 

Remember to gamble responsibly and enjoy the entertainment aspect of casino gambling on gambling apps.

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Godzilla X Kong: The New Empire ★★★

Released: 29 March 2024 Director: Adam Wingard Starring: Dan Stevens, Rebecca Hall Amidst the plethora of algorithmic franchises that occupy the multiplex screens, the kaiju-focused MonsterVerse has become the unlikely winner in the sea of failed IP revivals. This mashup of Toho’s biggest monster warriors has now not only brought King Kong into the mix, […]

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MOVIE REVIEW: In the Land of Saints and Sinners

Image courtesy of Samuel Goldwyn Films

IN THE LAND OF SAINTS AND SINNERS– 2 STARS

LESSON #1: WHAT SHOULD WE CALL AN IRISH WESTERN?-- This isn’t meant to sound like a cheeky pub joke, but maybe it works that way too. What should we call an Irish western? Are they like the Italian ones where the name needs to include a loosely ethnic food descriptor like spaghetti? Does that mean Irish westerns are potato westerns? Cabbage westerns, maybe? Do we just chug a pint and call them Guinness or stout westerns? We might be at a loss naming this subcategory for In the Land of Saints and Sinners, but the parallel metaphors, conceits, and tropes of a transported western are all there.

The setting of In the Land of Saints and Sinners opens in Belfast in 1974. A short title card sends up the informative flare that the island is knee-deep in The Troubles period of violent civil unrest. The opening scene is a pub bombing gone wrong by terrorist Doireann McCann (The Banshees of Inisherin Oscar nominee Kerry Condon) where the collateral damage included the deaths of a few passerby school children. With more blood on their hands than what was ordered, Doireen and her associates flee west (see, here we go) from Northern Ireland in the United Kingdom to Donegal, Ireland’s northernmost county Donegal.

The McCann crew descends upon the coastal village of Glencolmcille and squats in the utility buildings of Sinead (Sarah Greene of The Guard and Burnt), a local bartender and in-law of Doireann’s brother Curtis (The Last Rifleman’s Desmond Eastwood). They’re laying low while building their next pipebomb and plotting its target. However, they are not the only violent and tough element present in this cuddly hamlet.

Glencolmcille is also the home of the veteran assassin and proficient pipe smoker Finbar Murphy (the toplining Liam Neeson). After a career of burying his marks underneath replanted conifers next to a lush creek, he is calling it quits as a hired gun and cashing out with his superior Robert McQue (fellow Irish treasure Colm Meaney) in favor of a quiet retirement. Finbar insists McQue pass his jobs to Kevin (Jack Gleeson, all grown up from Game of Thrones), the mop-topped young sharpshooter waiting in the wings. 

LESSON #2: TRY TO DO SOME GOOD BEFORE YOU DIE– Contentedly hanging up his weapon of choice– a smooth bore Holland & Holland double-barreled rifle matching the classic favored by Teddy Roosevelt and evoking the whole western feel further (come on, that’s a pure cowboy’s gun for the 1970s), Finbar settles down in the town with where he knows everyone and everyone knows him as merely a book dealer. He renews his friendship with the lone local cop Vinnie O’Shea (Belfast Oscar nominee Ciarán Hinds) and finds himself sweet on his gardening neighbor Rita (Niamh Cusack of Hereafter). Retirement lasts all of a few days until Finbar gets wind of the visiting Curtis abusing Sinead’s daughter Moya (Michelle Gleeson). The good he seeks to do now as a protector means that old rifle has to come down off the trophy shelf.

LESSON #3: KILLING IS SERIOUS… UNTIL IT’S NOT– The second act build-up of In the Land of Saints and Sinners takes its time. Director Robert Lorenz, who worked with Neeson on 2021’s The Marksman and is a former apprentice to Clint Eastwood’s grizzled minimalism, emphasizes a path of emotional reflection for the reformed protagonist as earmarked in the script from Mark Michael McNally and Terry Loane. Finbar semi-scolds Kevin to relay that every execution he enacted was unpretty and serious. Kevin doesn’t get that, leading to voiced proverbs of “Indulgence draws the weak to an early grave” and “My advice is more valuable than money, son.” Much of this is Neeson doing his best to be the worldly actor he started as more than the stock tortured soul persona he’s leaned on for the past decade-plus.  

After that middle stretch of In the Land of Saints and Sinners steeps like tea, an escalation of threatened safety leads to– what else– a requisite shootout finale, shot by director of photography Tom Stern (The Last Voyage of the Demeter). Leaning on both the western and the Irish tropes, the climactic showdown starts with errant bullets shattering glasses and wounding bystanders enjoying the fiddle music at the local pub and ends at a picturesque candlelit old church. This is supposed to be the peak of tension where gradually increasing losses and deaths should matter. Instead, the suspense is fleeting and our noses hurt from being struck so hard by the western emulation. If that wasn’t enough, the naturalistic score by the Great Garbo Baldenweg siblings, featured blues harp work by their father Pfuri Baldenweg, lays that tone on even thicker all movie long.

Outside of the headlining Liam Neeson given full breadth to wax poetically and unfurl any and all character shadings he wants, In the Land of Saints and Sinners curtails the rest of the cast’s talent and high potential. Robert Lorenz had two recent Academy Award nominees in Kerry Condon and Ciarán Hinds. While it’s a boon for a woman to have the top villain spot opposite Neeson, Condon’s character is all cursing snarl with weak and remote conviction for the roots of The Troubles. Hinds, at the drop of any hat– woolen or otherwise, has gravitas for days, and the film leaves him as the doddering cop and the honest old buddy. Catching an older and still rising Jack Gleeson should have meant more than having him play the stereotypical hothead youth who ignores all the elders. Even the ever-reliable character actor Colm Meaney can do more than play a one-note handler.

LESSON #4: USE THE POIGNANT HISTORY YOU HAVE– All of those recognizable ensemble members, as well as plenty of the lesser-known folks under them, should have been able to contribute thicker substance. The missed opportunity starts with the film’s time period. Even with Dioreann’s rants and raves as the bomber, too much of In the Land of Saints and Sinners sidestepped or entirely ignored The Troubles. The spine of history was right there for heftier commentary, complete with a very capable cast to deliver it. Instead, the volatile strife which gripped the split country for so long is only a out-of-town newspaper headline and a mentioned separator trait between black hats and even blacker hats. 

Be that as it may, In the Land of Saints and Sinners earns a fair victory by slowing down and softening Liam Neeson from his signature gear of constant action ferocity. Even while playing a contract killer with imposing intimidation in his back pocket, the soon-to-be 72-year-old was granted a warmer character who exudes thoughtful wisdom first and brutality second. Clearly, the chance to give a little more of his best back to audiences on his home turf was irresistible and appreciated by Neeson.

Speaking of sods and grasses, we’ve circled back to the opening conundrum. Let’s be the ones to coin the new and Urban Dictionary-worthy term (officially submitted after this) for an Irish western. Triumphantly, the versatility logic of Samwise Gamgee puts starchy potatoes over the top of cabbage and possible trademark infringement with Guinness for their roasted malted barley. Therefore, with the proper capital lettering to add importance, In the Land of Saints and Sinners gives you… the Potato Western! Hopefully, all the ways potatoes can be prepared will echo the variety possible for future movies of the subgenre because this was blandly boiled no matter which source food was granted the naming rights.

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Mother’s Instinct ★★★

Released: 27 March 2024 Director: Benoit Delhomme Starring: Jessica Chastain, Anne Hathaway, Anders Danielsen Lie, Josh Charles A mother’s love is known to be one of the deepest loves possible. But, when life causes an unwitting change to a mother’s role, what happens to that love? This question amongst others surrounding the mother and child […]

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MOVIE REVIEW: The Listener

Images courtesy of Vertical Entertainment

THE LISTENER— 4 STARS

If one were to research, the qualifications to be a crisis line counselor or dispatcher are fascinating. Citing one criteria example, the professional qualities of a “clear telephone voice” and “strong listening skills” are a given. The real measure comes from being “emotionally and psychologically ready for crisis counseling,” in addition to completing dozens of hours suicide prevention training. Needless to say, it takes quite a particular person to fill this role, especially as an unpaid volunteer. The Listener, directed by actor Steve Buscemi, presents a night in the life of a crisis counselor and has selected one of the most ideal actresses that could emulate that skill set perfectly.

Directing his fifth feature length film, Steve Buscemi had us at Tessa Thompson. That’s an immediate victory. Go ahead and close your eyes. Picture Tessa and hear her voice. If you’re hearing her approachable tone and timbre in softer roles like Passing or Sylvie’s Love before her heroic bellows in the Thor and Creed franchises, you’re the right kind of cinephile and have dialed in to the proper Tessa Thompson.

In The Listener, Thompson goes by the name of “Beth” as a volunteer on Help Anytime, a 24-hour crisis hotline. Beth lives with her demure cat in the smoggy and foggy hills of Los Angeles and prefers the busier night shift. After preparing some stovetop coffee, she settles in and we hear her first call from a former con named Michael (voiced by Logan Marshall-Green of Upgrade). He’s trying to acclimate himself returning to society and the workplace amid the anxieties caused by the masking protocols of the COVID-19 pandemic. He exudes both boldness and uncertainty in chatting with Beth.

LESSON #1: THE QUALIFICATIONS OF A TRUSTING VOICE– From this first phone call, we see Tessa Thompson’s Beth nailing the qualifications of not just a clear telephone voice, but a trusting one. She demonstrates the right ways to respond, from the varied inflections of acknowledgement ranging from a light “OK” to a more directly peaceful response or uplifting compliment. In between, the character validates the right ways to listen with comprehension as well. Beth’s wait time is on point, and she puts her callers immediately at ease with patience and preparedness, and this is just the first call of the night. 

Throughout The Listener, Buscemi never leaves Beth’s home for the entirety of its 96 minutes, and Tessa Thompson is the only performer seen on screen. Everyone else, including Marshall-Green, is a voice actor from an ensemble that includes Alia Shawkat of Arrested Development, comedians Margaret Cho and Ricky Velez, Derek Cecil of House of Cards, Bosch and The Wire cast member Jamie Hector, Casey Wilson of Always Be My Maybe, Blu del Barrio of Star Trek: Discovery, and Thompson’s Passing director Rebecca Hall. With zero face-to-face contact, voice intonation and the faint ambient noises behind them (kudos to Beau is Afraid’s Ben Hsu crafting sound) are all Beth has for deducing threats.

Not every phone call to Beth in The Listener ends as positively and graciously as the first one from Michael, and even that one teetered for a bit. As her night continues, there’s a homeless girl possibly trapped by a would-be pimp, a tightly-wound incel looking to lash out, a stressed-out working actress, a married couple falling out of love, a War on Terror veteran avoiding the clinical Veteran Affairs services, a bipolar woman having an episode, and, highest of all, a woman on the verge of a suicide attempt. Don’t let the presence of so many comic personalities in the cast fool you. The jarring rawness is overflowing.

LESSON #2: THE HELPLESSNESS OF REMOTE HELPThe Listener’s narrative written by The Messenger Oscar nominee Alessandro Camon engineers unique mini-episodes that emphasize a degree of helplessness within these conversations fielded by counselors. Beth voices this fact when she tells a client the “hardest thing is when the caller hangs up.” There is a undoubtedly temporary nature to the events which create a wonder of success or failure afterwards. For example, on this observed night on the job in The Listener, only one of the callers ever returns for a second talk. Such a precarious state demands compartmentalization and personal stress management for the operator. 

This is where Tessa Thompson shines in The Listener. By staying entirely on her point-of-view, the film rests on her body language and the methodical steps of stress relief before, during, and after as she must switch gears in between callers. Sketching is an observed outlet, but the stress ball and the dump button are not far away if the peril is too much. Akin to Joaquin Phoenix in Her, Thompson is extraordinary, playing off of dialogue read into her ear. It’s a challenge of cadence and response variation that not every actor can pull off convincingly.

Any shifts of pulse and suspense come from the drastic transitions between conservation topics, caller behavior, and small swerves of music from Aska Matsumiya of Bruised and After Yang. Rest assured, deft shooting and editing shifts break up any perceived lulls. Cinematographer Anka Malatynska (TV specialist from NCIS: Hawai’i) looms in Beth’s low-lit living space designed and dressed functionally by production designer Mboni Maumba (The Tuba Thieves). Malatynska smoothly switches from dolly shots and slow static zooms during moments of calmness to the occasional handheld close-up where spirits are shaken. Buscemi and editor Kate Williams (The Whole Truth) stitch all of this to make a single night fit into 90 wrought and compelling minutes.

LESSON #3: FINDING EMPATHYThe Listener’s semblance of single-setting stillness requires viewer patience matching that of the main character, but it also requires one even greater quality: empathy. Certain viewers– be it from disinterest, repulsion, boredom, or their own triggers– will not be able to weather or accept The Listener and its outcomes. Beth and those telephone counselors who do this job do not have that choice. They arrive with on-the-spot empathy and supportive presences. We must bring the same to the film.

True to movies’ magical power of racing our minds trying to picture unseen dangers from only sounds, we cannot help but imagine the darkest variants of the missing visuals emanating from the stories heard from the desperate and fragile personalities on the other end of Beth’s earpiece. The Listener’s type of premise has been harvested before for horror setups and Hitchcockian thrills. Steve Buscemi and Alessandro Camon understand that life is haunted and twisted enough not to require those exploitative tropes. The Listener exemplifies their restraint to tell something contemplative, powerful, and not preposterous. 

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The Therapeutic Power of Dorixina Relax in Alleviating Musculoskeletal Discomfort

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Dorixina Relax is a medicine that effectively relieves discomfort and pain in the musculoskeletal system. This medication combines several active ingredients, including clonixinate and cyclobenzaprine, in a 125/5 mg dosage, respectively.

The main role of Dorixina Relax

Relief of muscle spasms: The drug helps to eliminate muscle spasms that may occur due to various factors such as injuries, overexertion, stress, or chronic musculoskeletal conditions. This helps to reduce pain and restore normal muscle function.

  • Improved joint mobility: Dorixina relax helps to improve joint mobility by reducing tension in the surrounding muscles. This is especially important for conditions such as osteochondrosis, arthritis or joint injuries.

  • Pain reduction: The drug has an analgesic effect, helping to reduce the intensity of pain associated with muscle spasms or other musculoskeletal conditions.

  • Improved quality of life: Thanks to its antispasmodic and myorelaxant properties, Dorixina medicine helps to improve the quality of life of patients, allowing them to move more freely and cope with everyday tasks without excessive pain and discomfort.

  • Auxiliary agent in complex therapy: Dorixina Relax can be used in the complex therapy of various diseases of the musculoskeletal system, complementing other methods of treatment, such as physiotherapy, massage, exercises, etc.

Mexico pharmacy

Dorixina Relax 125/5 mg is available in various pharmacy formats; however, you can also buy it from an online Mexican pharmacy. This is convenient for patients who prefer to buy their medications online. Mexican pharmacies online provide access to a wide range of drugs, including Dorixina Relax and provide fast delivery worldwide. For example, the https://mexmeds4you.com.mx/ online pharmacy from Mexico offers the best combination of affordable prices, high level of service and a diverse range of medications, vitamins and nutritional supplements. One such medication is Methicorten. However, when buying medicines, including Dorixina medication, it is important to make sure that they are authentic and meet quality and safety standards.

Dosage

The usual recommended dosage of Dorixina Relax 125/5 mg is one tablet once or twice daily. This may be increased or decreased depending on the body's reaction to the drug and the severity of symptoms. It is important not to exceed the recommended dose without consulting your doctor to avoid possible side effects and complications.

The duration of treatment with Dorixina Relax may also vary, depending on the nature and cause of the symptoms. Usually, the drug is used in the short term to relieve acute pain conditions associated with muscle spasms or other musculoskeletal disorders. However, in some cases, treatment for a longer period of time may be necessary, especially if there are chronic or recurring symptoms.

When prescribing a longer course of treatment, the doctor will usually review the patient's condition regularly and adjust the dosage or duration of the drug according to the results.

Contraindications

  • Known individual intolerance to the components of the drug. People with allergic reactions to lysine clonixinate, cyclobenzaprine or other components of the drug should avoid its use.

  • Elevated blood pressure (hypertension). Use of the drug Dorixina may increase existing blood pressure, which can lead to serious complications.

  • Bronchial asthma or other conditions associated with airway obstruction. The components of the drug may aggravate existing breathing problems.

  • Liver and kidney disease. The use of Dorixina Relax should be avoided if liver or kidney function is impaired, as this may lead to increased side effects and worsening of the condition.

  • Glaucoma. The drug may cause an increase in intraocular pressure, which is a serious complication for people with glaucoma.

  • Use of monoamine oxidase inhibitors (MAOIs) or taking them within the last 14 days. This can lead to serious drug interactions and an increased risk of side effects.

Side effects

  • Drowsiness and fatigue: While taking Dorixina, you should refrain from driving vehicles and other activities requiring increased concentration, acceptable reactions and responsiveness.

  • Dry mouth: This side effect may be unpleasant, but it is usually temporary and goes away after the drug is discontinued.

  • Dizziness or irritability of the stomach: These symptoms may also occur as a result of taking the drug.

  • Constipation: Some people may experience gastrointestinal problems in the form of constipation.

  • Rarely, allergic reactions such as skin rash, itching, or swelling of the face and throat may occur: If you notice such symptoms, stop taking the drug immediately and seek medical attention.

Interaction between Dorixina Relax and other medicinal products

  • Sedatives and sleeping pills: The combination of Dorixina Relax 125/5 mg with other drugs that also have a depressant effect on the central nervous system, such as benzodiazepines or sleeping pills, may result in an increased sedative effect and an increased risk of drowsiness or dizziness.

  • Antidepressants: Some antidepressants, especially those that affect serotonin and noradrenaline mechanisms, may increase the effect of Dorixina medication and increase the risk of serotonin excess syndrome.

  • Drugs that depress the central nervous system: This includes alcohol, antihistamines, certain antipsychotics and other drugs that may enhance the sedative effect of Dorixina Relax and increase the risk of adverse reactions.

  • Anticonvulsants: Use of Dorixina with anticonvulsants may increase the risk of seizure development or impair seizure control.

  • Drugs affecting the liver: Drugs that are metabolized in the liver may affect the metabolism of Dorixina, which may lead to strengthening or weakening of its effect. Interaction between Dorixina Relax and other medicinal products.

Onset and duration of therapeutic action

Dorixina Relax usually begins to take effect within 30 minutes to 1 hour after administration. This drug has a relatively quick onset of action due to its composition, which includes cyclobenzaprine and lysine clonixinate. They provide a relaxing effect on the muscles and relieve muscle spasms, which leads to a decrease in pain in the musculoskeletal system.

In terms of duration of action, Dorixina usually remains in the body for about 4–6 hours after ingestion. This means that its effects can last for this length of time, providing long-lasting relief from pain and discomfort.

Once the drug is fully metabolized in the body, its residues are excreted through the kidneys and liver. The level of metabolites and residues of Dorixina drug in the body can be influenced by many factors, including individual metabolism patterns, age, health status, and the functional status of the filter organs (liver and kidneys).

Dorixina Relax is an important medication that is widely used to treat a variety of conditions associated with muscle spasms and muscle tension. It helps to relieve tension and improve mobility in joints, making it a valuable tool in the treatment of musculoskeletal conditions such as osteochondrosis, spondylosis, muscle spasms and injuries.

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Ghostbusters: Frozen Empire ★★★

Released: 22nd March 2024 Director: Gil Kenan Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, McKenna Grace, Dan Aykroyd, Ernie Hudson, Bill Murray, Annie Potts, Kumail Nanjiani, James Acaster (& more!) Three years after legacy sequel Ghostbusters: Afterlife introduced us to a whole new generation of Spenglers answering the iconic paranormal call, comes sequel Frozen Empire. […]

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Civil War ★★★★

Released: 12th April 2024 Director: Alex Garland Starring: Cailee Spaeny, Kirsten Dunst, Jesse Plemons Marking the fourth directorial feature by British filmmaker Alex Garland, Civil War focuses on a team of journalists following the Second American Civil War. Caught between the American government and the Texas and California-led ‘Western Forces’, the journalists – including photojournalist […]

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Creators Of ‘I Love You, Guys’ Search For Support For Next Independent Short

Award-winning storyteller Billie Melissa Rogan has reunited with the writer and producer of her first directorial short, ‘I Love You, Guys‘, as they crowdfund for their latest project, “The Intimacy of Privacy.” This short film, currently a compelling script written by Rogan, will delve into the intricacies of relationships, exploring the delicate balance between friendship […]

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MEDIA APPEARANCE: Guest on the "Let's Talk About Flix" podcast chatting about "The Way Way Back"

Through small world happenstance, I’ve come to know hosts Mike Osborn and Curtis Menke of the irreverent and laugh-filled podcast “Let’s Talk About Flix.” They are appointment weekly laughs for me and pod I support on Patreon. Mike and Curtis have become two full members of the Chicago Indie Critics group that I co-direct. I was honored to be asked on as the return guest during their “Patreon Picks” month. For that guest’s choice theme, I brought them 2013’s The Way Way Back. Enjoy our chat! Follow their show on podcast platforms and YouTube!

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PODCAST: Episode 149 of "The Cinephile Hissy Fit" Podcast

For their 149th episode, two space pirate film critics, two mutated dads, and two earthbound teachers, Will Johnson and Don Shanahan, continue piloting through the sequel star system of their Alien series rewatch with an episode on 1997's Alien: Resurrection, bringing a cloned Sigourney Weaver two centuries into the future. Is the movie subversive, kinky, weird, fun, all of the above, or none of the above. This one is high on Will's ranks while Don is pondering. Come for the shared challenge and stay for the mutual love and respect for the fun movies encapsulate. Enjoy our podcast!


Cinephile Hissy Fits is a Film Obsessive Radio, brought to you by RuminationsRadioNetwork.com. Please visit, rate, review and subscribe. If you enjoyed this show, we have more where that came from, with interesting hosts, and wonderful guests. All available on iTunes, Spotify, and anywhere you find your favorite shows. Follow the show on Twitter at @CinephileFit and on Facebook. Also, find both Will Johnson and Don Shanahan on Letterboxd as the accumulate their viewings and build their ranks and lists.


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Golden Gambit: Embrace the Thrill of Our Premier Casino Site

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Casinos provide people with an opportunity to engage in games of chance and win money by gambling on them. Casinos also provide good players with complimentary goods and services such as hotel rooms, dinners, limousine service or airline tickets as an incentive.

Casinos intentionally don't include clocks as a means of helping guests lose track of time. Instead, their bright decor helps stimulate your senses while their technology monitors your betting chips minute-by-minute and roulette wheels for statistical deviations.

A building where people gamble

Casinos are gambling 메이저놀이터 establishments where customers place bets on games of chance for money or other valuable items, including stage shows and dramatic scenery. Most casinos feature glamorous decor to attract customers; others may provide amenities like hotels or free drinks as additional attractions.

Casinos were traditionally built with the intention of drawing in large numbers of tourists who will spend their money. To do this, casinos offered various incentives designed to lure gamblers and reward those who gambled the most - in Las Vegas casinos during the 1970s these included discounted travel packages and show tickets as rewards for big bettors.

Casinos utilize psychological strategies to entice patrons and keep them coming back. Playing upbeat music and using sound effects such as bell ringing can create excitement. They may also employ limited windows and an inexplicable layout so patrons don't lose track of time as quickly.

A place where people can play games of chance

Casinos are places where people can participate in gambling games of chance such as poker and roulette, while often providing live entertainment such as stand-up comedy or concerts. Many are combined with hotels, resorts, restaurants or retail shops and are therefore also popular with tourists and cruise ship passengers.

People of all ages often enjoy playing gambling-based games for entertainment and socialization purposes, but it is important to be mindful that these can have potentially adverse impacts on mental health. Players should practice healthy habits such as taking breaks regularly and engaging in activities which foster relaxation.

Casinos make money through using various strategies to keep gamblers content. They might offer free food or drinks, and give cash back for winnings; chips may also be used instead of currency to eliminate concerns over losing actual funds; additionally, surveillance personnel might use a catwalk in the ceiling that allows them to monitor gameplay from above.

A place where people can win money

Casinos provide people with an opportunity to win money through gambling on games of chance or skill. Some games come equipped with a built-in house advantage, often minimal but which builds over time; this advantage is known as "vig" or "rake." Casinos earn revenue through this edge as well as from drinks and food services sold on-site.

Casino businesses have become incredibly heavily-regulated industries with multiple laws to govern them. Employees of casino businesses must keep an eye out for customers trying to cheat by palming cards or marking dice; as well as suspicious betting patterns or anomalies.

Some casinos utilize special technology to monitor the games themselves, using chips with built-in microcircuitry to track how much is wagered minute by minute; roulette wheels are electronically monitored for any deviation from expected results; customer support systems play an essential role in increasing user satisfaction and building trust between patrons and operators alike.

A place where people can lose money

Casinos are establishments where people go to gamble with money and lose it, typically legal in most jurisdictions; laws vary according to country and region; many European nations in recent decades altered their laws to permit casinos as an acceptable form of entertainment. Casinos typically boast high ceilings and lavish, eye-catching decor meant to stimulate the senses and keep players occupied for as long as possible. Some use colors such as red that may help people lose track of time - something many casinos take great pains in doing! Casinos provide lavish inducements in order to attract a wide range of bettors, such as free entertainment, transportation and luxurious living quarters and hotel rooms. Even with these benefits, a casino cannot guarantee a return on all its games; most casino bets actually have negative mathematical expected returns.

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Late Night With The Devil ★★★★★

Released: 22nd March 2024 Director: Cameron and Colin Cairnes Starring: David Dastmalchian, Georgina Haig Whether you are an early bird or a night owl. The talk show has been a staple of American television for many a decade, birthing many an awkward exchange in its time. Bizarre sofa jumping from Tom Cruise on Oprah. Dakota […]

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MOVIE REVIEW: Free Time

Images courtesy of Cartilage Films

FREE TIME– 2 STARS

For better or worse, Free Time operates like an audience tolerance test on the topic of the Millennial lifestyle. Little events and narrative turns occur that viewers will either identify with to a certain degree or downright disdain. The examinee for this inquest is Drew, played by emerging writer/actor Drew Burgess (who also headlines the indie Dad & Step-Dad this month), and the first exercise of this filmic inquest occurs in the opening five minutes of Free Time.

Drew walks into his boss Luke’s (James Webb, in his feature debut) office and admits to being unengaged with his data analysis work. He remarks that he thought there would be more interaction with people and less data entry. The extremely understanding Luke takes all this in with an even keel and proposes a transfer to a different position as an assistant in the HR department for a small reduction in pay. That’s when the young man in his mustache and spectacles takes the patience and good will offered before him and pisses it away.

LESSON #1: TAKE TIME BEFORE MAKING IMPORTANT DECISIONS– When asked by Luke to share how he feels, Drew rebuffs the suggested dock in pay, not realizing that’s precisely what happens when one asks for less work. He begins a minor diatribe on the thesis of “But it’s my 20s…” and how he should be living life unconfined by a 9-to-5 job. Upon finishing his unrefined monologue, he hurdles right over any suggested sleep-on-it thinking time and impulsively puts in his two weeks on the spot.

When that meeting ends, Free Time cuts to what is Drew’s last day of work after those two weeks. Any hope that he reflected further or was talked out of his decision clearly didn’t happen when the observant camera positioned across the street shows Drew walking out of the building with his box of desk belongings at the same time as Luke. When Drew notices his now-former boss, he smiles, says something to the effect of “I don’t want to leave on bad terms,” and offers a handshake.

To watch Luke momentarily divert his focus from his smartphone to look down at the extended hand and then back up to Drew’s face before silently turning and leaving in refusal shows a few things. First, one can tell these unseen two weeks likely weren’t the most productive or cordial in the office. Secondly, this entire gesture from Drew is taken as clueless gall. This concludes the first piece of this Millennial test in Free Time. At this first checkpoint backed by a gentle piano score from first-time movie composer Mason Margut, if you’re rooting for the guy to stick it to the corporate world and strike out on his own, that meshing optimism says one thing. If you’re quickly calling him your preferred term for an idiot, that’s another.

LESSON #2: FINDING REDEEMABLE QUALITIES– Either way, from this self-liberation– which begins in sad sack fashion with a bit of physical comedy from Burgess fumbling with a non-working subway fare card while clutching that silly box next to a singing busker duo– the idealists will be plotting out his forthcoming happiness. Meanwhile, the cynics will be searching for redeemable qualities to not completely dismiss this character. 

When Drew arrives home to break the news to his roommate Rajat (What We Do in the Shadows TV writer Rajat Suresh), the eyebrow raising reactions begin. The antsy Drew begins breaking his routines by tempting himself to try a different cafe breakfast item, watching some overdue movies, and going out for a bike ride. It takes a single whole day on his own to realize an income is actually necessary. Over and above that, it takes Drew one careless night out in Greenwich Village with bar drinks and edibles to financially cripple himself. Do those realizations spur Drew to get another job? Nope. He stays his course of pissing and moaning about capitalism with no concrete plans of any kind.

LESSON #3: WHAT KIND OF PERSON DOES THIS?-- In this middle section of the film, Free Time poses this lesson’s question of the new layabout for the Millennial tolerance test. Through more of that observant camera work of wide and medium shots by cinematographer Victor Ingles (Macy Ray and the Legend of Dead River), we watch the invisible clouds of emotional fragility and social awkwardness all around Drew on his own and around others. It doesn’t take a psychology degree or even a Magic 8-Ball to call the attitude out. Pick your synonym poison between privilege, prerogative, immunity, entitlement, etc.

Casting your own permissive patience aside, Free Time is set up to be a stellar acting showcase for Drew Burgess. The point-of-view never leaves his skittish space. Drew does all the little things with his body language and speech inflection to craft an unlikable, yet wholly unique character that is not an overloaded collection of amplified nerd and loser tropes. By the end of Free Time, we want to shake him to get his conduct together and learn an attainable work-life balance. To provoke that response and generate that antipathy is evidence of Burgess’s undeniable screen presence. With his slight frame and the Big Apple habitat in play, the echoes of Woody Allen are inescapable. 

Much of Free Time descends into Drew’s wallowing path that is only mildly interesting. There’s a moment where Drew strikes out with a beautiful, flirty woman (Princess Cyd’s Jessie Pinnick) he meets outside a party. Later, he’s waffling as a keyboardist in his old band and struggling to come to grips with the lead singer (Michael Patrick Nicholson of Nobody’s Watching) hiring a manager and drastically changing musical genres. The failures and lack of blame acceptance pile up. There’s a line Drew drops at a band session when he laments “I feel like I contributed nothing to today.” Gosh, you don’t say?!

LESSON #4: RUN WITH THE MOST DARING IDEA– Drew and Free Time ultimately unravel because he doesn’t have a leg to stand on, so the script from short film director-writer-editor Ryan Martin Brown has to manufacture a few for sympathy’s sake. Right when the selfish pity party to feel consequential gets exhausting, Free Time takes a hard right turn in the third act when Drew’s stance of defiance turns into grandiose enough action other people notice. His rants about preserving time and youth become inspiring to fellow twenty-something men in their own ruts where dozens join his cause of freedom. If this daring idea was more of the movie, it would finally have a unique and incisive commentary on the plight of this generation. That momentum is too little and too late.

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