• This is default featured slide 1 title

    Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by NewBloggerThemes.com.

  • This is default featured slide 2 title

    Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by NewBloggerThemes.com.

  • This is default featured slide 3 title

    Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by NewBloggerThemes.com.

  • This is default featured slide 4 title

    Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by NewBloggerThemes.com.

  • This is default featured slide 5 title

    Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by NewBloggerThemes.com.

MOVIE REVIEW: Breakthrough

(Image by Allen Fraser for 20th Century Fox via EPK.tv)

(Image by Allen Fraser for 20th Century Fox via EPK.tv)

BREAKTHROUGH— 3 STARS

The new film Breakthrough exists with the challenge of putting a miracle into words and performance. The Merriam-Webster Dictionary lays that heavy m-word out two ways.

1: an extremely outstanding or unusual event, thing, or accomplishment

2: an extraordinary event manifesting divine intervention in human affairs

Too often nowadays in our headline-seeking and attention-starved society, that first definition of “miracle” is stretched and overused to the point of hyperbole, right there next to other words like “epic” and “masterpiece.” There are places where effectiveness has been lost. That second definition is a doozy. It calls for higher piety. Well, good believers love divine challenges and so does this movie.

This Is Us star Chrissy Metz headlines Breakthrough as the matriarch Joyce Smith. Alongside her steady husband Brian (the equally steady himself Josh Lucas), Joyce has worriedly and mindfully raised her adopted teenage son John (newcomer Marcel Ruiz) from Guatemala. He is an Americanized basketball lover who is hitting that social-centered and unaffectionate stage at breakneck speed. On a January Missouri day in 2015, John and two other friends fell through ice into a frigid lake.

LESSON #1: MAKE SAFE CHOICES — Kids, thin ice is dangerous and the waters underneath are even worse. Avoid such unmeasured risks to also avoid the list of potential bad results that include everything from falling injuries on up to death by hypothermia or drowning. Find different places to play.

John was submerged for 15 minutes before being rescued as a drowning. For nearly 45 minutes after that, he was treated with CPR at the scene, on the ambulance, and the emergency room where several attempts of defibrillation followed. It was not until the wailing prayers of his mother that John Smith would regain a heartbeat. Transported by helicopter to a Cardinal Glennon Children’s Hospital in St. Louis, every diagnosis and researched data point for days from the trauma team led by Dr. Garrett (Dennis Haysbert) said John wouldn’t survive nor regain his normal functions. Less than three weeks after the accident, he walked out of that building on his own power.

LESSON #2: THE EXAMPLE OF A “MIRACLE” — Examine the logistics of hypoxia and brain damage from that last paragraph one more time. If an unfathomable story like that is not “extremely outstanding or unusual,” then the dictionary is broken because John Smith’s recovery qualifies as a medical miracle. Next, the respective ease or challenge of going two steps further to “extraordinary” and “manifesting divine intervention” lies with the Breakthrough viewers and their willing levels of belief.

LESSON #3: “YOU HAVE A PURPOSE AND YOU ARE LOVED” — No matter where your notions of faith reside, there are some stories that astonish anyone with their emotionality and wonder. The John Smith story counts as one of those and this quote from the film hammers home the value of a life saved and a life continued. It is matched by an included external quote from former President Lyndon Johnson that states “Yesterday is not ours to recover, but tomorrow is ours to win or lose.” You don’t need a cross around your neck to have or believe in those levels of respect for the specialness of the human condition.

Directed by TV actress Roxann Dawson (Star Trek: Voyager) in her feature debut in that chair and bankrolled by Heaven is for Real minister/producer DeVon Franklin (with a little endorsing executive sprinkle from NBA star Steph Curry), Breakthrough has its fair amount of manipulative measures to frame the Smith family’s situation for moviegoing appeal. This is heavily tissue-inducing weeper for the thoughts-and-prayers crowd, nailing that objective with enough production value and play on symbolism to be better than most of its peers in that discipline. Still, the tropes of teen difficulties, silly generational differences, and twinkling religious displays build an overly showy melodrama at times. The true story is enough where the embellishments could have been less in places.

Through all the raised, held, and laid hands involved, the strongest grip of the film belongs to Chrissy Metz. She rides and survives a character put through a tumultuous parental wringer of fears showing power and principle. It’s wonderful to see Metz with a healthy lead role that really suits her strengths. Adding to a soundtrack of praise and worship, Chrissy Metz even sings the closing credits song to add to her positive display of talent.

Behind her, Breakthrough brings forth characters representing the community of support that saw the Smiths through this trying time. Leading that ensemble are Topher Grace and Mike Colter. The recent BlacKkKlansman villain plays Pastor Jason Noble, the new younger and hipper leader of the Smith’s church. Grace comports himself well to squeeze his charm to the max in a different direction from his usual snark, becoming a second heart-and-soul to the movie. Trade charm for strength, equal the heart, and echo the complement for Colter as first-responder Tommy Shine.

LESSON #4: SURRENDER CONTROL — Nearly every step of this inspiring ordeal features moments matching the need of letting other people and powers take over your efforts. Churchgoers stuck on colloquial and antiquated traditions must give way to new ones that exhibit improved purpose towards the same goals. You have a mother adamantly demanding only positive words be used in her or her son’s presence that speak life above the truthful possibilities of loss and inevitabilities for things that “can only go so far.” You have a pushy pastor that answers the dismissive “It’s not a good time” with a “that’s why I’m here.” You have a survivor who feels a burden of perceived luck. Hovering over all of these struggles as an outlet or answer to making this lesson happen is the power of prayer. Many people, on-screen and off, put their trust into a higher power and received the guidance, answers, will, and even the miracles they sought.

LOGO DESIGNED BY MEENTS ILLUSTRATED (#775)

LOGO DESIGNED BY MEENTS ILLUSTRATED (#775)

Permalink



from REVIEW BLOG - Every Movie Has a Lesson http://bit.ly/2P3zuF6

Share:

MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on April 8, 2019

indiewirelogo.jpg

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members and Aaron White of Feelin’ Film, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  


THIS WEEK'S QUESTION: What film has most defied your expectations, either for better or for worse?

In my social media circles (especially in the Feelin’ Film Discussion Group), I harp often about unreasonable expectations. Between giving up trailers and really trying to bring a little more objective grading into subjective criticism, I’ve come to hate the term “expectations.” I really stretch to stay neutral at all times. That said, having zero expectations is impossible, which means, like this week’s question, plenty of movies will surprise me from what they were billed to be. For my answer this week, I dug back to 1999 and picked out a silly movie that really won my over, cheese and all.

Screen Shot 2019-03-25 at 10.26.15 PM.png Screenshot 2019-04-10 at 2.33.50 PM.png THE FULL INDIEWIRE ARTICLE THIS WEEK LOGO DESIGNED BY MEENTS ILLUSTRATED

LOGO DESIGNED BY MEENTS ILLUSTRATED

Permalink



from REVIEW BLOG - Every Movie Has a Lesson http://bit.ly/2uYs3pG

Share:

MEDIA APPEARANCE: Guest on the "Kicking the Seat" podcast talking "Shazam!"

Kts1.png Kts2.png

Look! It’s the other Captain Marvel movie! In a quick turnaround after Marvel took it’s turn in March, the “comic council” of film critics united again to say our own magic words. Kicking the Seat’s Ian Simmons crossed the Skype-streams to put the wizardry of Ian, David Fowlie of Keeping it Reel, Emmanuel Noisette of Eman's Movie Reviews and myself together for a heck of a super-spirited podcast. Enjoy!

MY FULL "SHAZAM!" REVIEW LOGO DESIGNED BY MEENTS ILLUSTRATED

LOGO DESIGNED BY MEENTS ILLUSTRATED

Permalink



from REVIEW BLOG - Every Movie Has a Lesson http://bit.ly/2D49O6C

Share:

Wonder Woman 1984, Joker Debut Footage At CinemaCon

With Marvel Studios keeping a tight-lip about their post-Endgame properties, all eyes are on Warner Bros. as they seek to further capitalise on their DC comics properties following the critical and commercial successes of Aquaman and Wonder Woman. Most pressingly, then, is the studio’s first true sequel since 2008’s The Dark Knight – next year’s […]

The post Wonder Woman 1984, Joker Debut Footage At CinemaCon appeared first on Movie Marker.



from Movie Marker https://ift.tt/2UpFKw5
Share:

MOVIE REVIEW: The Public

(Image courtesy of Universal Pictures Content Group)

(Image courtesy of Universal Pictures Content Group)

THE PUBLIC — 3 STARS

The grounded setting for the plausible struggle over lines in invisible sand taking place in Emilio Estevez’s The Public is a normally unassuming one: an urban public library. The opening credits blend an old-fashioned PSA scouting for the love for books and the love for people necessary to be a good librarian with a hard-hitting rap hook threatening to burn books and hate on the pipe dream of education while showing the woeful streetscapes of Cincinnati, Ohio. Both lifestyles presented by that media, one inside the library and one outside, demand peace, just different levels of it and with opposing methods. Unstylish and noble just like the facility itself, the social commentary of The Public breaks all the whispering rules of compartmentalized silence. This unabashed message movie opens on April 5th exclusively in the Chicagoland area at the AMC locations in Naperville and South Barrington.

LESSON #1: THE PURPOSE OF LIBRARIES — Formally, libraries house collections of information, much of which is a public right granted by the First Amendment of the U.S. Constitution and other subsidiary laws. Whether you come educated or uneducated, all are welcome and equal. That great line from Good Will Hunting comes to mind: “You wasted $150,000 on an education you coulda got for $1.50 in late fees at the public library.” The goal is to learn something while you’re there.

LESSON #2: IMPORTANCE OF LIBRARIES — Like many others across the country, the welcoming public library is a watering hole and gathering place. In this country, they are dedicated to being free, safe, healthy, and accessible environments. This is especially true for homeless and unemployed citizens who flock to their open shelves, doors, tools, and desks. For those folks, libraries are daily refuges from the elements with resources for community involvement and self-education while rendering them to stand as a source of amenities for basic hygiene and aid. A character in The Public touts the notion of libraries as one of the “last bastions of a free society.” Between Lessons #1 and #2, that statement is not far off whatsoever.

In The Public, the benevolent library staff of the downtown Queen City branch knows the regulars of this ilk well and vice versa. Estevez calls his own number as Stuart Goodson, the most active and dedicated of the local librarians. Principled and dedicated behind his reserved nature, Stuart is often paired with the head of security (Jacob Vargas) and Myra (Jena Malone), a mouthy Millennial and fellow librarian.

When an unseasonably frigid winter week turns worse and puts both the city’s homeless shelters and overflow locations beyond capacity, the exposing cold brings more poor visitors than usual. With nowhere else to go, one among them, a military veteran named Jackson (Michael K. Williams), organizes a peaceful protest where the dingy dozens refuse to leave the library at closing time. The begin a lock-in with the purpose of turning the place into a temporary shelter, which traps Stuart and Myra in with them. Encircling the escalating situation outside the locked doors are the library’s administrator (Jeffrey K. Wright), the hostage negotiator detective on the scene (Alec Baldwin), the local district attorney and mayoral candidate (Christian Slater), an opportunistic TV reporter (Gabrielle Union), and Stuart’s helpful neighbor (Taylor Schilling). Rather than resign himself as a hostage, Stuart emerges as the adamant proxy voice for the plight of his patrons.

The many moving character pieces of this deep ensemble each occupy a little narrative territory in that aforementioned dichotomy. Some devolve to show their true colors while others shed their exteriors or wrongs to join a better side. Naturally, because it’s not really a stretch to imagine, The Public is quick to make the political, law enforcement, and media figures into the blustering, trigger-happy, preening, and judgmental bad guys.

LESSON #3: PRACTICING AND EXUDING DIGNITY — Throughout the 122 minutes of The Public, the fine line of demarcation between antagonists and protagonists is defined by a dichotomy of dignity. The individuals that attack dignity or lack it in the movie are painted and placed in roles of supposed success. In contrast, the real folks that value dignity, protect it, and exude it are the ones with shabby looks and questionable backgrounds. Top to bottom, treat people better and those acts treat yourself better along the way.

The theatrical levels of the actors match the dimensions of their given position or material. The proverbial preachers among them are given their performance pulpits. As the linchpin and engineer together, Estevez gets the most leeway and gives a very commendable and solid performance. Jeffrey Wright and Michael K. Williams, in particular (as well as some lesser-knowns), also score strong edification points. The ranters in the periphery, like Slater, Union, Schilling, and even Baldwin are suitable but lack the extra attention at times to not seem one-dimensional. Good or bad, those blunt character and storytelling arcs show the filmmaker’s slant and bias, even if the assignments are warranted.

The number of debated points in The Public outnumber the aisles and stacks. On one hand, that crowding creates an involving and intriguing machine of tied fates and a roundtable forum sampler for the viewer. On the other, that same populated weight does make the film saturated with many bouncing tangents of rhetoric, not all of which mesh fluidly. Nevertheless, the debate balance of this brouhaha of hubris and sentiment favors the rightly idealized and positive. The Public makes a worthy stump speech for its checklist of modest societal issues. More often than not, a certain character or scenario, while sometimes exaggerated for dramatic effect, will key onto a personal experience or observation of your own.

LOGO DESIGNED BY MEENTS ILLUSTRATED (#774)

LOGO DESIGNED BY MEENTS ILLUSTRATED (#774)

Permalink



from REVIEW BLOG - Every Movie Has a Lesson https://ift.tt/2Vc06Wx

Share:

Lives Unwritten Film Season Continues at the Geffrye Museum in Hoxton

The feminist film season Lives Unwritten: Women and Domestic Work on Film is underway at the Geffrye Museum of the Home in Hoxton. The season runs until 27th April and is a timely exploration of the complex cultural and socioeconomic tensions of domestic labour, and its continued impact on women around the world. This weekend […]

The post Lives Unwritten Film Season Continues at the Geffrye Museum in Hoxton appeared first on Movie Marker.



from Movie Marker https://ift.tt/2FR9ycN
Share:

Dark Phoenix Director Calls Film The “Natural Culmination” Of Fox’s X-Men

With the recent release of Captain Marvel, the buzzy Shazam! just days away, and MCU juggernauts Avengers: Endgame and Spider-Man: Far From Home on the horizon, it’s easy to forget about the other ‘capes and powers’ flick set to grace multiplexes this year; X-Men: Dark Phoenix. With the recent approval of the Disney/Fox merger, it’s […]

The post Dark Phoenix Director Calls Film The “Natural Culmination” Of Fox’s X-Men appeared first on Movie Marker.



from Movie Marker https://ift.tt/2Ua29y1
Share:

Blog Archive

Recent Posts

Unordered List

  • Lorem ipsum dolor sit amet, consectetuer adipiscing elit.
  • Aliquam tincidunt mauris eu risus.
  • Vestibulum auctor dapibus neque.

Sample Text

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.

Ut enim ad minim veniam, quis nostrud exercitation test link ullamco laboris nisi ut aliquip ex ea commodo consequat.

Theme Support

Need our help to upload or customize this blogger template? Contact me with details about the theme customization you need.