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Home warranty experts Cinch Home Services have analyzed the value of America's most famous movie and TV houses to determine how much their value has increased today versus when they first hit screens.
The analysis team shortlisted 31 well-known properties from films and TV shows to see how their prices changed since viewers first spotted them. Houses from horror flicks and 80s classics topped the list for biggest value jumps.
The top 10 fictional homes with the highest percentage price increases:
One of New York's most famous houses, located at 108 Ocean Avenue, “The Amityville Horror” house saw the biggest price increase of all homes in the study. Its value rose 1,050% from $97,250 when the film terrified audiences in 1979 to a massive $1,118,600 today, making previous owners who held onto it very happy indeed. The actual house was not used in filming due to local objections, instead they built a near-identical facade on a house in Toms River, NJ.
The “Nightmare on Elm Street” house, located in Los Angeles, California, took second place with a 689% value surge over the past four decades. The home on North Genesee Avenue was worth around $397,524 when Freddy Krueger first stalked teens' dreams in 1984 and is now worth $3,137,700.
Two California properties tied for the third biggest price jump, both with 619% increases. The Oceanside house from “Top Gun” flew from $138,501 to $995,700 since the Tom Cruise blockbuster hit theaters in 1986. The “Ferris Bueller's Day Off” residence, located in Long Beach, similarly skyrocketed from $362,728 to $2,607,700 over the same period.
San Francisco's“Full House” home placed fourth with a 534% price surge. The instantly recognizable Broderick Street home was valued at $1,040,532 when the sitcom debuted in 1987 and now holds a value of $6,593,100, reflecting the city's mature property market.
The home from “The Money Pit” rounded out the fifth position. Found at 1 Laurens Street, Locust Valley, New York, the home, which was originally worth $829,957 in 1983, is now valued at $4,604,200. This is an increase of 455%.
For those curious about how these home investments compare to an index fund such as the S&P 500, we can compare the oldest listing in the leaderboard. The Amityville Horror house from July 1979, saw an increase of 1,050%, and in that same time, when adjusted for inflation, the S&P 500 rose 1,091.54%. The original home price, if invested in the index, would be worth around $3,638,369 today, instead of the home's value of $1,118,600.
A spokesperson from Cinch Home Services said, “It’s easy to look back on these home prices and think that the price increases are flukes caused by the popularity of the homes from a time before social media and reality TV exposed us to million-dollar homes. But it’s not the case, and an investment today will likely be looked upon with the same eager eyes in 2071, another 45 years’ time.”
“Houses from 1970s and 1980s productions show much bigger percentage increases than properties from newer shows, simply because they have had more time to appreciate in value. The data shows that location matters enormously, with California and New York homes seeing the biggest price jumps by far.”
Methodology:
This study explored current house valuations for popular fictional homes and compared them to estimates of how much each would have cost when the film or TV show was released. The FHFA House Price Index data set was used to estimate historical home prices based on their current valuation, using per-state data with quarterly resolution. The oldest HPI data available started from 1975, so estimates could not be made for media released prior to this date.
In Jamarcus Rose and Da 5 Bullet Holes, the titular teen, played by emerging actor Duane Ervin, is a very talented baseball pitcher in Los Angeles. He adores the sport introduced to him by his late grandfather and has begun to attract the recruiting attention. At the same time, Jamarcus is a Black kid in a tough neighborhood living with his grandmother Esther, embodied by TV veteran Ruthie Austin of Snowfall. The sky might be the limit to his athletic potential, but there is a margin to where she cannot raise him any further to completion.
LESSON #1: BE THE RIGHT KIND OF STATISTIC—In this new short film from the talented writer-director Marcellus Cox, this wide-eyed and eager young man with his whole life in front of him is on the borderline of becoming a statistic. The question is whether he will be a positive one or a negative one. Without both of his birth parents, especially his father, Jamarcus lacks the fullest examples of how to be a man and not just a ball player. While he has the talent to lift himself out of the trappings of his environment and make something of himself, dangerous uncertainties of the wrong crowd, the wrong place, or the wrong time could snuff that out in an instant, turning Jamarcus Rose into another victim instead of a victory.
Jamarcus Rose and Da 5 Bullet Holes recognizes this tipping point and prescribes our lead character outside help. Recently, Esther signed Jamarcus up to have a mentor from the Big Brothers and Big Sisters of America, and it is the morning of their first official session. The teenager sees this idea as babysitting and is resistant to letting someone into his life, where he would rather spend his weekend scouting girls. In a heartfelt confrontation and an empowering performance moment from Ruthie Austin, Esther pleads the greater case to the kid who truly doesn’t know what he needs, to explain that she seeks her grandson to carry himself off the streets and with greater respect.
Enter Jasper, played by Stephen Cofield Jr. of Terrifier 3 and Marcellus Cox’s 2023 debut feature, Mickey Hardaway. He’s a married man working hard to start a family and is himself a product of a BBSA program after familial losses of his own when he was younger led to a positive mentor relationship. With unselfish attention and kind charisma, Jasper wins Jamarcus’s trust as the two bond over some casual baseball practice with the local kids.
LESSON #2: THOSE WHO HOPE SO AND THOSE WHO KNOW SO— As more of their congenial chit-chat comes out during a light game of catch while talking about Jamarcus’s future in baseball and getting out of the neighborhood’s troubles, Jamarcus gives a reply of “I hope so,” which is answered quickly by Jasper declaring “I know so.” That tiny exchange shows the hopeful beauty at the heart of Jamarcus and Da 5 Bullet Holes. There are those who grasp for optimism to hope, while others exude a confidence prepared for certainty. The film wants this good young man to reach a mindset like Jasper’s with solid personal choices.
LESSON #3: HAVING AN EMOTIONAL MENTOR— When the topic turns to Jamarcus’s mother, Jamarcus and Da 5 Bullet Holes trades the sunny soft toss for the static shadows of sitting in the bleachers. With ideal simplicity, darker light by cinematographer Jamil Gooding is used for a darker topic. Even through sharing and comparing their tragedies, Jasper strives for Jamarcus not to lose sight of his blessings. While Jasper may have given this kid a new ball glove and a standing invitation to some free-of-charge gym facilities to stay in shape, this type of quality time and support is the true gift and the immense value of an emotional mentor, and the cause of the Big Brothers and Big Sisters of America.
As a short-form storyteller, Marcellus Cox nails this thematical platform with his dialogue, and Cofield gives those lines the proper meaningful heft. All in all, the previous foreboding question remains for where Jamarcus’s life can go after this new partnership. The low angles and those aforementioned shadows which frame his home life are juxtaposed with the symbolic blue sky of potential above that ballfield. Will he be fortunate enough to emerge by way of his talent, or will violence claim another unnecessary soul? Jamarcus and Da 5 Bullet Holes marinates on that seesaw between the powerful and the unfortunate.
As we near the end of the awards season, the most prestigious awards night in the film industry is fast approaching, with this year's hopefuls crossing their fingers to get hold of their own gold Oscar at the 98th Academy Awards on the 15th of March.
This year’s nominees include jaw-dropping performances from fan favourites like Leonardo DiCaprio, Emma Stone, Timothée Chalamet, Kate Hudson, Jacob Elordi, and other worthy contenders. But who will take home the victory?
With this in mind, the experts at McLuck have scoured through past Oscar winners all the way back to 1929, analysing winner trends from age, acting credits, previous nominations, box office figures, reviews, and genres to predict the 2026 Oscars winners.
McLuck’s study reveals that the best actor category sees common patterns, including the “overdue” effect, with many actors winning after multiple prior nominations with no luck, like the famously snubbed Leonardo DiCaprio, who won after 4 unlucky nominations, as well as Paul Newman and Al Pacino, who both were nominated 7 times before securing the win.
The typical best actor winner is normally aged between late 30s and mid 50s, with Adrien Brody as the youngest winner (29) and Anthony Hopkins winning at 83. Returning winners are unlikely to win unless their performance is considered elite, with very few actors winning this award more than once, including Daniel Day-Lewis with 3 wins and Jack Nicholson with 2. Traditionally, actors who previously won at least one of the SAG, BAFTA, or a GoldenGlobeawards has a much higher chance of winning in the best actor category. Furthermore, the most common career length of winners is between 20 and 30 years of acting credits, with breakout wins less common.
This year, the actor most likely to win is Ethan Hawke for his performance in Blue Moon. His transformative performance earned a spectacular response from fans and critics, with Hawke's portrayal of the Broadway lyricist Lorenz Hart regarded as being “utterly captivating”, “sensational,” and “cinematic magic.” His award-winning work gives him a 35% chance of taking home the win, with his accolades meeting the common patterns of a winner, with the actor in his mid 50s, 4 prior nominations but no wins, 35+ years of acting, this acting veteran is well respected and very overdue for a win.
Following on from Ethan Hawke, the second most likely winner is Leonardo DiCaprio for his performance in One Battle After Another (30%). In third place, Timothée Chalamet as Marty Mauser in Marty Supreme lands him with a 15% chance of winning.
Best Supporting Actor
The best supporting actor role’s historical pattern analysis shows that most winners fall in the 25-55 age bracket, with younger wins less common but do happen, for example, Heath Ledger aged 28 for The Dark Knight, and older wins are also rarer but occasionally are seen, like Chrisphier Plummer in Beginners aged 82. Similar to the best actor category, the “overdue” factor plays its part, with wins after multiple nominations being common. Actors with strong industry respect have a higher chance, and those in roles that involvementorship, villainy, or emotionalresonance see an advantage. Multiple wins are rarer than in the best actor category.
In first place for best supporting actor, Benicio del Toro sweeps with a 38% chance of winning for his performance in One Battle After Another. Following in second place, Delroy Lindo has a 28% chance for his part in Sinners, and Jacob Elordi lands in third with 18% with his role in Frankenstein.
Best Actress
The data suggests that the typical winner for this award is aged between 28 and 45. The “overdue” effect is less common with first-time nominees very frequently winning, including Olivia Colman, Marion Cotillard, and Michelle Yeoh, but recurring winners do still sometimes emerge, such as Meryl Streep, Frances McDormand, and Katharine Hepburn. Similarly, precursor awards do indicate a higher chance of success with SAG awards, especially predictive for actresses. In terms of performances themselves, common winning roles include biographical performances, social realism dramas, and psychological breakdown roles, with psychological breakdown roles being favoured over comedies.
Jessie Buckley is expected to win the best actress award this year with her heart-wrenching performance of Agnes Shakespeare (Hathaway) in Hamnet. The film itself is nominated for eight Academy awards with Buckley hailed as an obvious winner already by critics. The Irish actress fits the mid-thirties age range, has just one nomination in the supporting category, and has been acting for over 15 years with a strong catalog of credits, making her a great fit to win the award with a 32% chance.
Following on from Jessie Buckley, the second most likely winner is Renate Reinsve for her performance in Sentimental Value (26%). In third place, Emma Stone as Michelle Fuller in Bugonia lands her with a 22% chance of winning.
Best Supporting Actress
The best supporting actress award’s historical pattern analysis shows that most winners fall in the 25-45 age bracket, with younger wins less common but do happen, for example, Anna Paquin, at 11, in The Piano. Unlike the best supporting actor category, first-time nominees often win, with repeat winners more rare. For this category, screen time is less important than impact, with younger actresses winning with “scene- stealing” moments like Beatrice Straight, the record holder for the shortest performance to win an Oscar, with only 5 minutes and 2 seconds of screen time in Network. Still, her intense emotional scene stole the show.
In first place for best supporting actress, Elle Fanning stands a 38% chance of winning for her performance in Sentimental Value. Following in second place, Wunmi Mosaku has a 27% chance for her part in Sinners, and IngaIbsdotterLilleaas lands in third with 20% with her role in SentimentalValue.
Best Picture
As expected, with the best picture award, precursor awards are very predictive of the winner, with PGA, BAFTABestFilm, GoldenGlobes, and Critics’Choiceawards showing patterns of who will most likely win. Box office and cultural impact are both important in this category; films that generate both critical and audience enthusiasm attract votes like Parasite or Oppenheimer. Dramas, historical biopics, emotional family stories, or culturally important narratives see more success than others. Finally, casting plays a monumental part in the chance of winning this award; pictures with established casts with prestigiousdirectors heighten the odds.
The predicted winner in this category is Sinners, which is unsurprising as the film has a record-breaking 16 Oscar nominations - the most in the history of the awards. The film had a strong box office result and blends horror with drama, with a strongculturalcommentary.
Following on from Sinners, the second most likely winner is One Battle After Another (28%). In third place, Hamnet has a 18% chance of winning.
Life transitions can arrive quietly or appear without warning, but in either case, they tend to reshape routines, priorities, and perspectives. Whether someone is moving to a new home, changing careers, starting a family, or adjusting to a new lifestyle, preparation can make the difference between feeling overwhelmed and feeling empowered. Planning ahead provides clarity, reduces stress, and allows individuals to focus on personal growth rather than constant crisis management.
Understanding the Emotional Impact of Change
Every major transition carries an emotional component. Even positive developments can bring uncertainty, anxiety, or doubt. When individuals take time to plan ahead, they create space to process these emotions more constructively. Thoughtful preparation encourages reflection on goals and values, helping people align their decisions with long-term aspirations.
Planning also offers reassurance. Having a clear roadmap allows individuals to move forward with greater confidence, knowing they have anticipated potential obstacles. Emotional resilience often grows when people feel in control of their circumstances, and preparation plays a significant role in fostering that sense of control.
Creating Practical Strategies for Smooth Adjustments
Transitions often involve practical considerations that must be addressed before meaningful progress can occur. This might include financial planning, organizing personal belongings, researching new environments, or coordinating travel and transportation arrangements. Breaking down these tasks into manageable steps ensures that nothing important is overlooked.
For instance, someone preparing for a long-distance relocation might explore options such as car transporters in Philadelphia to ensure their vehicle arrives safely while they focus on settling into a new community. By addressing logistical details early, individuals can avoid last-minute complications that may otherwise derail their plans.
A structured approach allows for flexibility as well. When plans are thoughtfully developed, they can be adjusted without causing major disruption. This balance between structure and adaptability helps people maintain momentum even when unexpected challenges arise.
Building Support Systems Before Change Occurs
Another essential aspect of planning ahead is strengthening support networks. Life transitions are easier to navigate when individuals have access to reliable guidance, encouragement, and practical assistance. This support may come from family members, friends, mentors, or professional advisors.
By communicating intentions and expectations early, people can build collaborative strategies that ease the transition process. For example, discussing responsibilities, timelines, and shared goals can reduce misunderstandings and create a more harmonious environment. Support systems also provide accountability, helping individuals stay committed to their plans even when motivation fluctuates.
Managing Time and Energy Effectively
Time management becomes increasingly important during periods of change. Without careful planning, individuals may find themselves juggling competing priorities, leading to exhaustion or burnout. Establishing realistic schedules and setting achievable milestones can make transitions feel less daunting.
Planning ahead also allows people to allocate energy more strategically. Rather than reacting to challenges as they arise, they can approach each task with intention and focus. This proactive mindset encourages steady progress and prevents unnecessary setbacks.
Furthermore, prioritizing self-care during transitions is vital. Planning time for rest, recreation, and reflection helps maintain overall well-being. When individuals feel balanced and supported, they are better equipped to embrace new opportunities and overcome difficulties.
Turning Transitions into Opportunities for Growth
Ultimately, planning ahead transforms life transitions from disruptive events into meaningful experiences. Preparation enables individuals to view change as an opportunity to redefine their goals, expand their capabilities, and explore new possibilities. By taking ownership of the transition process, people cultivate resilience and adaptability that serve them well in future challenges.
Thoughtful planning does not eliminate uncertainty, but it does provide a framework for navigating it with purpose. As individuals learn to anticipate needs, manage resources, and seek support, they develop confidence in their ability to handle whatever lies ahead. In this way, planning becomes not just a practical tool, but a powerful mindset that supports lasting personal development.
There are hardly any objects in the entire visual language of the motion picture arts that are endowed with an unconscious dramatic gravitas and psychological significance, as is the roulette wheel. It is, literally, a perfect circle with a disorganized number within it,t a binary topography of red and black that functions solely according to the horrific, cold laws of physics.
In contrast to poker, which depends greatly on the psychological armament of the bluff and the interpersonal relationship of the players, or blackjack, which calls upon mathematical tactics and card counting, roulette is an individual, existential struggle between human desperation and the universe itself. The silver ball does not identify any plot line; it does not follow any character line. It just crashes down, ruled by gravity and momentum, an impartial determiner of destiny.
However, in almost a hundred years, artists have been projecting human will, existential fear, and deterministic philosophy onto this number generator of random numbers and turning it into the ultimate visual metaphor of fate, risk, and the instability of the illusion of human control. With the changing cinematic landscape being transformed into 2026, the image of the roulette wheel has been changed significantly. We shall take a closer look at the advanced cinematography, new sound effects, and deep symbolism in storytelling of the roulette wheel in both old films and the contemporary period of gambling films.
The Evolution of the Cinematic Gamble: From Mastery to Chaos
In order to completely deconstruct the current cinematic application of the roulette wheel, it is necessary to initially follow the history and semiotic development thereof. The position of the camera to the wheel has changed fundamentally over the decades, reflecting the changes that happened in society in the ways of defining luck, morality, and systemic power in the eyes of the audience.
The Romantic Ideal and the Illusion of Mastery
In early film, the wheel was often used by the filmmakers to symbolize the universe where the unshakable virtue or sheer charismatic power could literally bend the rules of probability. The casino was used in this period to bring to the fore a final domination by a protagonist over his environment.
The second example of this phenomenon can be observed in the film Casablanca (1942) by the iconic movie director, Michael Curtiz, through the so-called benevolent fix. In one of its most important scenes, Rick Blaine (Humphrey Bogart) arrives at his rigged roulette table to assist a desperate young couple to escape the Nazi-infested.
Europe. He tells the husband to bet his number 22. Miraculously, the wheel falls on 22 twice in succession.
Mathematically speaking, the chance of striking twice in a row on a single-zero European wheel is 1 in 1369 or about 0.07%. Here, the wheel loses absolutely its purpose as a tool of blind destiny. Rather, it is directly a continuation of the subconscious moral compass of the main character.
This absolute mastery theme developed in the middle of the century when the James Bond franchise institutionalized the roulette wheel as a place of masculine superiority. In Diamonds Are Forever (1971), Sean Connery’s Bond hits 17—an astonishing 1 in 50,653 statistical anomaly based on Connery's real-life legendary winning streak. It is not a mathematical riddle to Bond, the wheel; it is simply an extension of his physical and mental superiority.
The Metaphysics of Chaos and the "God's Eye" View
With the development of the cinema in the late 1990s and the early 2000s, the visual metaphor has aggressively transformed into the dominance of metaphysical anarchy as opposed to the sense of romance. The high-octane thriller Run Lola Run (1998) by Tom Tykwer is the direct opposite of James Bond. Rushing along with a twenty-minute alarm, Lola lets out a glass-shattering scream that literally throws the ball down the 20 pocket. The wheel in this case represents a multiverse of extreme possibilities that are chaotic, and the human desperate extremes are trying to bend the immutable laws of physics.
Cinematographers invented the so-called God's Eye view in order to express this change in human control to cosmic indifference. This extreme overhead shot, which is widely used in movies of Run Lola Run up to the pessimistic neo-noir Croupier by Mike Hodges (1998), is viewed directly down on the spinning wheel. It thoroughly flattens the depth of the field and makes the three-dimensional, complicated wheel a two-dimensional, geometrical abstraction. It constantly reminds the viewer that the universe is governed by cold mathematical certainties in an elevated, non-touchable point of view.
The Binary of Ruin
When all the supernatural elements of the willpower or the heroic elements of the spy are thoroughly removed, the role of the roulette wheel becomes a mere machine of destruction. In Indecent Proposal (1993) by Adrian Lyne, a ruined couple bets all that it has on Red, but the ball falls on Black. The wheel has been created as an emotional and financial vacuum that deprives the characters of their agency withina fewe seconds. The dichotomy of the game Red or Black is a perfect reflection of what lies ahead of them: to face the prospect of total financial destruction or to give in to moral decay.
Welcome to 2026: "Macau Noir" and Tactical Paranoia
With the cinematic chronology shifted to 2026, the geographical, aesthetic, and thematic nodes of the casino thrillers have shifted considerable distances. The Art Deco classical elegance of Las Vegas in the middle of the century has been much replaced by wet, neon-soaked hyper-capitalist conditions of Asian gaming capitals to produce the specific subgenre of Macau Noir.
The upcoming slate of 2026 thrillers is characterized by raw psychological examinations of addiction, systemic corruption, and the gamification of violence.
The Internal Gamble: The Ballad of a Small Player (2026) by Edward Berger is a pop opera that was highly anticipated. After an exiled British lawyer (Colin Farrell) stalks the casino floors in Macau with a tarnished reputation, the camera floats the screen with hyper-saturated neons before choking it with claustrophobia. The movie brilliantly shows that to the actual addict, it is not about money anymore; it is just about staying in the error state of danger.
The Systemic Gamble: The Rip (2026) is a neo-noir by Joe Carnahan that transfers the rules of the casino into the Miami police. The gamble is highly tactical; the narcotics detectives have to bet on their loyalties and lives using the partial information. The torture of having to wait to see criminals do it is similar to the torture of waiting admiringly until the croupier says no more bets, and the silver ball descends.
The Biological Gamble: Bet Dead Casino (2026) exploits underground UK fighting pits, in which being alive is the bet, a wider idea of the general trend in cinema where life and death are commodified as entertainment.
The ASMR of Risk: Sound Design as a Secondary Narrator
The movie's strength of the casino scene requires much more than the visual range. Sound design serves as the second narrator in contemporary thrillers. The audio engineers have mastered a unique acoustic envelope, which exploits human physiology, relying heavily on ASMR (Autonomous Sensory Meridian Response) to produce visceral tension.
The ADSR Envelope of the Spin
A meticulously crafted cinematic roulette scene follows a strict ADSR (Attack, Sustain, Decay, Release) envelope:
Attack: This is triggered by a very strong and commanding signal, the call by the croupier to place your bets. This slices through the surrounding noise in a sharp way, requiring instant focus.
Sustain: The ambiance becomes larger to include the deep hum of the casino. Sound designers overlay the sounds of crowds in the distance with the rhythmic and satisfying clink of the casino chips that create the illusion of huge wealth.
Decay: It is the critical emotional turning point in the case of Rien ne va plus ("No more bets"). The ambient hum is rudely silenced, and the scene sinks into the vacuum of silence. There is nothing but the buzz of the silver ball as it races over the rim, with its mechanical sound.
Release: There is a break of tension in the violent, staccato clack-clack-clack of the plunging, ricocheting ball. This moment is often extended by sound editors by increasing the number of bounces digitally to simulate a subjective experience of time expansion at the point of an adrenaline rush.
In the cinema of 2026, the filmmakers will use ASMR interruptions to trigger deep anxiety. Sound designers avoid intellectual processing of the audience and communicate directly to the autonomic nervous system by isolating the tactile sounds of the casino. A roulette wheel made of solid wood is much deeper and richer-sounding than a metal wheel, which has a much sharper and abrasive quality and increases the sense of aggression and detachment.
The Rota Fortunae: The Circularity of Tragedy in Crime Dramas
Such visual repetition of the roulette wheel in the crime cinema has a strong classical philosophical background. The wheel is the contemporary, mechanical version of the Rota Fortunae - the Wheel of Fortune.
The Rota Fortunae is popularized by the Roman sage Boethius, and it is an illustration of how fate is capricious and uncaring. The goddess Fortuna turns the wheel randomly, elevating beggars into kings and plunging kings into mud. The casino in contemporary crime movies serves as the temple of Fortuna, lit with neon lights.
When one of the characters walks to the roulette table, the rotation of the wheel is the literal translation of Aristotelian peripeteia (a reversal of fortune) caused by his hamartia (fatal flaw). This tragic flaw in gambling cinema is nearly always hubris - the delusive belief that the character has the special ability of beating mathematical certitude.
The geometry of the wheel, that it is a closed circle with no beginning or ending, is the ideal captivation of the addict. Unlike in films such as Uncut Gems (2019) or Croupier (1998), where there is no real escape, a huge win just finances the next roll, making sure that the process continues without discontinuity until the eventual fall into ruin.
The Digital Abstraction of Fate
With the world moving more towards the digital age, the image of the roulette wheel has changed. The aesthetics of risk are also radically changed due to the enormous growth of Internet casinos and cryptocurrency betting. Modern movies are leaving the crowded and smoky floors behind in favor of the lonely and bright light of the smartphone screens in empty rooms.
The gamble in the digital world is limited to a single, frictionless exchange with an unknown algorithm. The physical wheel has a tactile reality substituted with a sterile and simulated RNG (Random Number Generator) animation. Nevertheless, there is tragic circularity of the Rota Fortunae. Even the physical wheel has been dematerialized into intangible code, which gives the feeling of a loss of control by the character, even more ubiquitous and insurmountable.
This week I seem to have been officially designated head cheerleader for Team Chalamet. Let me explain. At the start of the week I was one of the film critics quoted in an article on the BBC website homepage about the Timothée Chalamet ‘controversy’ in the lead up to the Oscars. For weeks he had […]
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