Released: 9 Jan 2026 (Netflix) Director: Brett Haley Starring: Tom Blyth, Emily Bader Drected by Brett Haley (All the Bright Places) and starring Tom Blyth (The Hunger Games: The Ballad of Songbirds and Snakes) and Emily Bader (Paranormal Activity: Next of Kin), People We Meet on Vacation is an adaptation of the book of the […]
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Released: 26 December 2025 Director: Josh Safdie Starring: Timothée Chalamet, Gwyneth Paltrow, Odessa A’zion, Kevin O’Leary, Tyler Okonma, Abel Ferrara, Fran Drescher No matter who we are or where we come from, we all have dreams and a desire to succeed in our career. These can vary in size and scope, from owning your own […]
The post Marty Supreme ★★★★ appeared first on Movie Marker.
Early 2026 is packed with television premieres that span every possible genre, from prestige dramas and reality competitions to documentaries and animated series. Instead of focusing on a rigid calendar format, here’s a closer look at what viewers can expect — organized by content type, not dates.
Fans who actively follow popular TV series streaming online will find plenty of new seasons and first-time premieres across major platforms and networks.
For viewers who prefer to follow newly released content, the latest TV episodes schedule offers a daily updated list of fresh episodes.
Drama lovers will have a busy start to the year, especially across streaming platforms.
Netflix expands its slate with titles like The Night Manager (Season 2), Tell Me Lies (Season 3), Agatha Christie’s Seven Dials, and the final chapters of The Upshaws. Apple TV+ joins the race with Hijack (Season 2) and Drops of God (Season 2), while HBO strengthens its lineup through Industry (Season 4) and the highly anticipated A Knight of the Seven Kingdoms.
British and international dramas also make a strong appearance, including Riot Women on BritBox, Hidden Assets (Season 3) on Acorn TV, and Stayer, a new British series arriving via Viaplay.
Reality television continues to dominate early 2026 with major franchises returning alongside brand-new concepts.
Fox brings back familiar favorites such as The Masked Singer (Season 14) and American Idol (Season 24), while Netflix revives classic formats through Star Search and pushes forward with Single’s Inferno (Season 5).
Competition-focused viewers will also see fresh content like Fear Factor: House of Fear, Next Level Chef (Season 5), and Survivor (Season 50), making this a standout period for unscripted entertainment.
True crime and documentary fans won’t be left behind. Investigation Discovery leads with returning titles like People Magazine Investigates (Season 9) and new projects such as Killer Confessions: Case Files of a Texas Ranger.
Discovery expands its real-world storytelling with Contraband: Seized at the Border (Season 8) and 120 Hours Behind Bars, while MGM+ releases The Hillside Strangler, a limited docu-series exploring one of the most notorious criminal cases.
Animation continues to grow across platforms, with Totally Spies! (Season 3) returning on Cartoon Network and Genndy Tartkovsky’s Primal (Season 3) landing on Adult Swim.
Younger audiences are also covered with Hey A.J.!, a new animated children’s series debuting on Disney Jr., while family-oriented classics such as All Creatures Great and Small (Season 6) return on PBS.
Live programming remains a major draw, with networks scheduling high-profile events throughout the season. January and February include major sports coverage like championship football games, basketball showcases, and combat sports events.
Entertainment awards also dominate the early months, including the Golden Globes, Grammy Awards, and the Super Bowl, reinforcing the mix between scripted and live television.
Rather than following a single release calendar, early 2026 delivers television content in waves — driven by genre, platform strategy, and audience demand. Whether you’re following major franchises, discovering new dramas, or keeping up with reality TV trends, the season offers something for every viewer.
from Review Blog https://everymoviehasalesson.com/blog/2026/1/whats-coming-to-tv-in-early-2026-a-genre-based-breakdown
Photo Credits: Stefania Rosini and Row K Entertainment
Official Selection of the 61st Chicago International Film Festival
Movies, being the empathy engines they are, have relished the chances to showcase criminals who were in the right. From dramatizing or even romanticizing whistleblowers and activists to revolutionaries and rebels, these types of “based on actual events” stories have been featured in outstanding films that have stirred up their fair share of civil disobedience and positive social change. While Dead Man’s Wire rips from a nearly half-century-old headline instead of a modern one, this engrossing comeback film for director Gus Van Sant waylays its own inspiring level of personal and public vindication that echoes today.
On Tuesday, February 8, 1977, in the Circle City of Indianapolis, Indiana, 45-year-old Tony Kiritsis entered the office building of the Meridian Mortgage company when it opened for the morning. Wearing one arm in a sling and carrying an awkward long box in the other, he expected to have his request for an appointment filled by the figurehead of the firm, M.L. Hall. Due to a scheduling error, the top man is out of town, vacationing in Florida, leaving his son, Richard, as the next ranking director present. Miffed and flustered, Tony accepts this lesser meeting and enacts the big plan he had anyway for this chosen encounter.
LESSON #1: THE MEANING OF THE FILM TITLE— When Tony gets Richard alone, the sling drops away to reveal a revolver, and the box thought to be containing rolled blueprints has a sawed-off shotgun with unique modifications. This is where the title, Dead Man’s Wire, lives up to its name. Two thick wires extend from the firearm, which has had its safety mechanism removed. One extends from the end of the barrel and is tied like a noose around the neck of the selected target—in this case, Dick Hall—and the other is attached to Tony’s person. Both lead back to the shotgun’s trigger. The physics and logic at play are: If the assailant or the captive is incapacitated, the separating yank will make the gun fire—right into the back of poor Mr. Hall’s head.
And with that, we have ourselves a hostage situation called in to the police by Tony himself. Played by professional movie creeper Bill Skarsgård of the It franchise and last year’s unnerving Nosferatu adaptation, Tony Kiritsis has a beef with M.L. Hall (Al Pacino, a nice get for Van Sant) over a 17-acre parcel in Tennessee that has increased greatly in value. Struggling to make ends meet, Kiritsis is late on his mortgage payments and is highly suspicious that the Hall family wants to acquire the land when he defaults to sell it at a high profit that lines their pockets instead of his own. A year removed in time from the great film Network, one can say, on this fateful morning, Tony Kiritsis is as mad as hell and not going to take it anymore.
In a daring daytime move, Tony escorts Richard (former Power Rangers star Dacre Montgomery) by his dangerous contraption out of the office building with the intention of bringing Richard to his apartment. He is greeted by the sirens and gunpoints of Indy’s finest, led by Detective Mike Gamble (a nearly unrecognizable Cary Elwes, working underneath stellar hair and makeup hiding his signature wavy blonde locks), and the lucky camera lenses of a city news crew led by reporter Linda Page (Myha’la of Bodie Bodies Bodies and Leave the World Behind). Their on-the-spot camera footage of this risky ruckus soon garnered national attention, as the hours and demands of the escalating situation increased in quantity and specificity.
LESSON #2: THE WILDNESS OF LIVE MEDIA— Another off-kilter presence enters the fray when Kiritsis requests chances to explain his side of the story by frequently calling into his favorite local disc jockey—the jazz aficionado Fred Temple, played by the smooth and illustrious Oscar nominee Colman Domingo—during the crisis, turning the radio host into a de facto hostage negotiator. By showing this watchful and precarious perspective of the media getting involved, Dead Man’s Wire harkens back to a time when urgent “special reports” that interrupted immovable national broadcasts carried news as compelling and vital as the viral alerts that blow up our phones today. The potential violence and Tony’s proclivity for swearing loudly created a wildness on live media where people couldn’t look away, especially if lives were on the line.
It is very easy to react to the twitchy and verbose Tony, performed manically by Bill Skarsgård, with the same labels of “extortionist” and “thug” that the actual man received. However, as more details come to light next to the reactionary performances of Pacino and Montgomery, Tony’s stump gets a little taller, and his soapbox finds more and more dirt to clean. By the time Dead Man’s Wire reaches a climactic press conference and bumps John Wayne receiving a People’s Choice Award, the film has shifted your fears and allegiances in different ways. We feel for teh guy, but he’s still holding a loaded and live gun to someone’s head. Those curious for the actual history can watch the archived actual one here, and, by golly, it needs to be seen to be believed.
Using Alan Berry and Mark Enoch’s 2018 documentary, Dead Man’s Line (available in full on YouTube), as a basis, Gus Van Sant, a two-time Academy Award nominee for Best Director (Good Will Hunting, Milk), comports himself extremely well in his first film in seven years. Austin Kolodney’s well-referenced script keeps much of the historical detail of the Kiritsis ordeal in place and presents it in a swift and savvy feature film that is one part docudrama pot-boiler and one part rogue’s caper film. Composer Danny Elfman’s score combines the zings of a harp woven into suspenseful percussion beats to create both amusement and tension. Van Sant extends that sense of atmosphere with a blended selection of diegetic period music playing through car radios and home stereos and top-notch production design, set decoration, and costume work enlivening the wintery season of 1977.
LESSON #3: DEPICTING JUSTIFICATION— The most laudable trait of Dead Man’s Wire, outside of its style, is its observant presentation of the Tony Kiritsis story. Softening the unhinged red-ass of a character to lionize him next to the likes of Robin Hood would manufacture cheers, but come across as less than authentic. When Skarsgård shouts in character, just as Kiritsis famously did, that he was "a goddamned national hero,” skepticism remains possible and valid, even amid him winning over public opinion. Because Dead Man’s Wire is candid enough to present the positive and negative facets of the many individuals caught up in this frenzy, the even-handed movie grants you the intelligence to rub your chin, squint your eyes, perk your ears, and question whether judgment or justification can be granted as events transpire all the way to the closing credits.
LOGO DESIGNED BY MEENTS ILLUSTRATED (#1365)
from Review Blog https://everymoviehasalesson.com/blog/2026/1/movie-review-dead-mans-wire
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Sexual assault can occur on school property in Houston and requires a defined legal response. Public, charter, and private schools operate under different state and federal rules that affect how claims proceed. Legal options may include civil negligence claims, Title IX complaints, or actions against third parties. Filing deadlines, reporting duties, and evidence preservation rules vary by institution type. Early awareness protects legal rights and prevents delays. Accurate records matter because schools control many documents needed to support a claim.
Families and advocates benefit from clarity on how legal options, evidence steps, institutional duties, and damage calculations connect. Medical records, counseling documentation, and academic impact reports support injury claims and recovery requests. Clear communication with legal counsel helps organize records, manage deadlines, and confirm available remedies. Defined processes support institutional accountability and protect survivor rights while preserving available legal options.
The type of school involved determines which legal rules and deadlines apply. Claims against public school districts often require advance notice and follow stricter procedural rules than claims against private schools or contractors. Title IX administrative complaints may apply when a school receives federal funding and can proceed alongside civil lawsuits. Third-party claims may involve separate contracts, insurance policies, and notice requirements. Identifying the correct defendants early often requires analysis typically performed by a Houston sexual assault attorney, particularly when multiple institutions or contractors are involved.
Deadlines and remedies depend on the selected legal pathway. Some statutes pause limitation periods for minors, while government-related claims may require short pre-suit notice. Federal administrative timelines can operate independently from state court deadlines. Early legal review clarifies applicable timelines, available remedies, and claim interaction, reducing procedural conflicts and preserving viable filing options.
A structured evidence plan helps protect records and strengthen a claim. Schools often hold incident reports, safety logs, surveillance footage, investigation files, staff records, emails, and training materials. Written preservation notices should be sent quickly to prevent deletion or alteration. Public records requests or FERPA requests may be needed to obtain copies. Acting early increases the chance of securing complete and accurate records.
Professional handling of physical, medical, and digital evidence supports reliability. Forensic specialists can help document injuries, maintain chain-of-custody standards, and protect data integrity. Keep dated copies, track transfers, and retain receipts when evidence changes hands. Coordination with legal counsel helps prioritize medical exams, digital reviews, and record requests. Clear documentation supports later legal and settlement decisions.
Reviewing school practices can reveal gaps that contributed to misconduct. Examine hiring standards, background check frequency, contractor screening, and substitute oversight. Compare written policies with actual supervision practices and reporting procedures. Training records should confirm staff instruction on mandatory reporting, supervision duties, and discipline rules. Documenting inconsistencies helps assess potential negligence and institutional responsibility.
Physical security practices also require review. Compare access controls, camera placement, visitor management, lighting, and maintenance schedules against state rules and district policies. Evaluate staff assignments to confirm active supervision in higher-risk areas. Identifying specific deficiencies helps prioritize corrective steps. Coordinating findings with legal counsel and administrators supports compliance improvements and reduces future risk exposure.
Claims typically include economic and non-economic losses. Economic damages may cover medical treatment, therapy, transportation, missed school time, tutoring, and related academic expenses. Records such as bills, insurance statements, attendance logs, and invoices support these claims and clarify valuation.
Non-economic damages rely on professional documentation of psychological and functional impact. Therapist summaries, psychological evaluations, and school counseling records explain ongoing effects. Identifying available insurance coverage early matters, including district policies, private school coverage, and contractor indemnity agreements. Legal guidance helps estimate recovery ranges and align expectations with available compensation.
Clear communication practices improve efficiency and reduce confusion. Clients should know how to contact counsel, expected response times, and who manages day-to-day updates. Defined approval steps for settlements and litigation decisions help maintain client control. Consistent communication supports informed choices throughout the process.
Billing transparency also matters. Itemized statements allow clients to track costs and weigh options between settlement and continued litigation. Written summaries of offers and attorney recommendations support review and decision-making. Regular case check-ins help update evidence priorities, reassess goals, and confirm client approvals. Structured oversight keeps representation aligned with client interests.
Clear knowledge of legal pathways, evidence handling, institutional responsibility, compensation methods, and representation practices supports informed decision-making after a school assault in Houston. Accurate information helps families act within required timelines, preserve records, and document injuries and losses. Medical, counseling, and academic records often play a central role in claims. Awareness of these elements supports pursuit of available legal remedies and protects viable options. Early organization of documents and timely legal guidance improve clarity around next steps and potential outcomes. Careful preparation strengthens claims and supports accountability under applicable law.
from Review Blog https://everymoviehasalesson.com/blog/2026/1/school-sexual-assault-injuries-and-legal-rights-in-houston
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Great movie speeches stick with us long after the credits roll. A few minutes of dialogue can clarify a belief, shift an emotion, or push a character—and the audience—toward action. That same effect is exactly what leaders want when speaking in meetings, town halls, or virtual presentations with limited attention and high stakes.
The good news is that memorable film speeches aren’t powered by charisma alone. They rely on simple, repeatable techniques: a clear central idea, intentional emotional movement, and language shaped for the ear rather than the page. The lessons below translate those cinematic techniques into practical tools leaders can use to communicate with clarity, authority, and impact in real-world settings.
Clarity starts with deciding what a speech is really about. When a speaker commits to one central claim, the audience has an easier time following the argument and remembering what matters. Lincoln’s Gettysburg Address remains a classic example, built around a single governing idea that holds together short paragraphs and precise phrasing. Leaders benefit from the same discipline: choose one core proposition, state it early, and remove supporting points that don’t directly reinforce it.
This approach is standard practice for experienced speech writers, who test every paragraph against the central message and cut anything that drifts. Short, purposeful sections reduce cognitive load and help key points stick. Topic sentences should echo the main idea, transitions should be minimal, and the final version should always be rehearsed in its condensed form before delivery.
Emotional direction gives a speech momentum. In Rocky Balboa’s monologue, each segment is designed to move the audience from doubt to resolve, creating a clear emotional arc rather than a flat delivery. Planning that arc in advance helps speakers align language, examples, and energy with the response they want at each point.
A practical method is to outline emotional intent before drafting content, assigning a specific feeling to each section. That planning guides pacing, pauses, and shifts in tone so emotion supports the message instead of overwhelming it. When emotional movement is deliberate, audiences are more likely to stay engaged and act on what they hear.
Measured pacing makes spoken information easier to process and reduces listener fatigue. The King's Speech shows how deliberate tempo and well-timed silence improve clarity and authority by letting key phrases land. Sentences that follow conversational rhythm, with shorter clauses and strategic breaks, align with natural breath patterns and help points register for meeting participants and public audiences.
Read passages aloud to find rushed lines and clauses that need pauses. Mark breathing cues, shorten run-on sentences, and place silence before main points or after questions. Practice edits in timed rehearsals so speakers control pace with more confidence and give the audience space to absorb key messages.
Authority in a speech often comes from structure, not volume. Patton’s opening address shows how a direct statement of purpose sets expectations and frames everything that follows. A clear opening tells listeners why they’re there, what matters, and what action is expected.
Leaders can apply this by opening with one concise sentence that states intent, followed by a small number of supporting points tied to a specific outcome. Clear structure reduces friction during discussion and keeps attention focused. When expectations are stated early and reinforced consistently, audiences understand their responsibility and move more quickly toward decisions.
Precision in word choice keeps audiences engaged and reduces drift. The Network monologue shows how a handful of sharp lines, placed deliberately, can focus attention and set stakes for decisions. Leaders should reserve intense language for moments tied to actions or choices, so strong terms retain weight and prompt response.
Cutting repeated phrases keeps the message sharp and the audience focused. Create a brief editorial checklist to flag clichés, filler words, and duplicate claims, then run the script aloud to catch echoes and weak beats. Time key lines so strong words land with decisions or calls to action, and iterate edits before the next meeting.
Speeches that resonate rarely happen by accident. Clear intent, thoughtful structure, and language shaped for listening help ideas land and stay with an audience. Film examples highlight how focus, pacing, and restraint turn brief moments into memorable messages, and those habits translate well to meetings and presentations. Small adjustments matter, such as trimming excess points, planning emotional shifts, and letting silence do some of the work. Each presentation becomes a practice space rather than a performance. With repetition and careful editing, leaders develop messages that feel confident, purposeful, and respectful of their audience’s attention over time.
from Review Blog https://everymoviehasalesson.com/blog/2026/1/best-movie-speeches-lessons-leaders-can-apply-to-real-audiences
Released: 26 December 2025 Director: Paul Feig Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Michele Morrone and Elizabeth Perkins The Hollywood book-to-film pipeline continues with the adaptation of Freida McFadden’s hugely popular BookTok bestseller The Housemaid. If you’re not familiar with McFadden’s back catalogue, think the Colleen Hoover of guilty pleasure psychological thrillers! So with […]
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